BroSlinger wrote:I'm using a bit crusher plug in that ramps up the nastiness for the whole song.
It's like bleeps and static by the end.
BTW, I love Reaper. Dan, thank you for filling me in on how to have parameters adjust themselves during the tracks.
HOW.
I haven't used Reaper, but in most DAWs you just set up an automation track, but instead of volume or clip gain, you just select any of the parameters of the plugins on the track.
BroSlinger wrote:I'm using a bit crusher plug in that ramps up the nastiness for the whole song.
It's like bleeps and static by the end.
BTW, I love Reaper. Dan, thank you for filling me in on how to have parameters adjust themselves during the tracks.
HOW.
Google "Reaper Envelope"
Even though this vid is on a mac, it's almost the same thing: [video]https://www.youtube.com/watch?v=ywIFyqmQ380[/video]
You click that upside down lopsided V thingy, and select which parameters you want to view with the track. If you have an active plug in, those parameters will appear as well. You right click the parameter track display, and "create new point". Create a few of these points, and move them up and down. It acts like a real time fader for whatever parameter you adjust.
BroSlinger wrote:I'm using a bit crusher plug in that ramps up the nastiness for the whole song.
It's like bleeps and static by the end.
BTW, I love Reaper. Dan, thank you for filling me in on how to have parameters adjust themselves during the tracks.
Yeah, i just figured this out while working on that song i've been mixing and it's super useful! Only did it to automate when the modulation comes in and out but want to dive in to more detailed automations.... could be A LOT of fun!
Gear:
1976 Gibson Les Paul Custom 2016 Gibson The Element AL13 1958 Standard Historic Les Paul 2016 Leo Lospenatto TV-Star Mötor Custom 2015 Ronin Songbird Custom 2015 Maton MS500 50th Anniversary Edition 2014 Rickenbacker 4003 Jet Glo 1975 Hiwatt DR103 1974 Hiwatt cab SE4122 W/ Fane speakers 2015 Verellen Skyhammer amp 2015 Verellen 4x12 cab w/ WGS Vet 30 speakers 2016 Benson Monarch 2016 Benson Rotary Cab 25 delays
BroSlinger wrote:I'm using a bit crusher plug in that ramps up the nastiness for the whole song.
It's like bleeps and static by the end.
BTW, I love Reaper. Dan, thank you for filling me in on how to have parameters adjust themselves during the tracks.
HOW.
Google "Reaper Envelope"
Even though this vid is on a mac, it's almost the same thing: [video]https://www.youtube.com/watch?v=ywIFyqmQ380[/video]
You click that upside down lopsided V thingy, and select which parameters you want to view with the track. If you have an active plug in, those parameters will appear as well. You right click the parameter track display, and "create new point". Create a few of these points, and move them up and down. It acts like a real time fader for whatever parameter you adjust.
oh, I do this all the time. I thought you were talking about automated automation if that makes sense.
Now that I think about it it makes no sense.
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Modest wrote:Sense or no sense, I need this info... so, subscribed.
I think it's already on the video that was posted, but here's really simplified and short:
Click on the envelope button on the track, on the menu that opens tick the boxes that you want to automate. Then on the track view shift+click on the envelope track to insert points, then drag those points around to change the parameters.
Reaper is just awesome. I never find the need for anything else. I have tried almost all the others and just find Reaper does what it should do. Maybe they should call it the working mans DAW. Lets hear the track.
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(Self appointed Curator of the Cult of Carvin) (C.C.C.G.G - New leader of the Communist China Counterfeit Guitar Gestapo) Matt L "I've been losing gigs left and right ever since someone told people my pickups were made in Korea. Wasn't a problem before, in fact, they thought I sounded great!"
Done! This one didn't wrap up in two hours like the rest of what I've been doing lately. This took a few days of sessions of listening/editing/overdubbing/etc. There are 5 or 6 guitar tracks on this.
The madness ramps up near the end. I used a bit crusher on the drums. It starts to elevate in volume and frequency during the last couple minutes. I also ramped up a reverb tail on the dirty guitar and drums. It ends up sounding like some kind of twisted vocal chant.