Walt wrote:But when the hour is nigh, and the lights are low, and I got a little toothpick of a shwag joint in my teeth, and my friends want to hear me play "Into the Void", or "TNT", "or "Cemetery Gates"...I plug my 600 dollar guitar into my 150 dollar amp, and I am a Rawk gawd.
Walt wrote:But when the hour is nigh, and the lights are low, and I got a little toothpick of a shwag joint in my teeth, and my friends want to hear me play "Into the Void", or "TNT", "or "Cemetery Gates"...I plug my 600 dollar guitar into my 150 dollar amp, and I am a Rawk gawd.
I second the Rode NT1-A recommendation. It is what I'm using to record my wife's vocals these days and it was the best I've found for her voice.
I don't know how well it would record an amp, never tried it, but if you already have a SM57, I'd just use that for your amp and get the NT1-A for your singer's vocals. Actually, you could close mic the amp with the 57 and use the NT1-A as a room mic, that works great too.
If you really need a solid do it all mic, the SM7B handles anything you can throw at it. And it actually sounds good for vocals, it was my first choice until I got the NT1-A. But the NT1_A is certainly more detailed and clearer than the SM7B. Both sound good though.
Guitars: '78 Les Paul Pro / '89 SG Special/ '04 Gibson Les Paul Classic 3 pickup / Jackson Star/ Endres Tele / Fernandes Rhoads/ ''74 Hohner MIJ strat/ 2 Partscasters
Amps: Depends on when you ask. I got tired of constantly updating this section lol
Cabs Marshall 1960A w V30s/ Seismic 2x12 w Redback and V30.
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